What’s it all about? How Theme can help your story shine.

Theme comes in lots of shapes, sizes, and variations, but embodies the core of what something is about, whether it’s your brand as a writer, the story you’re writing, the characters you’re writing about – or the music you’re listening to while writing. So what is theme, and how can it help focus and clarify your purpose as an author?

Theme is the underlying idea that makes something tick. It is pervasive and affects everything about the whole, without being overt or overbearing. In fact, the best practical expression of theme in writing rarely shows up as words on paper. Rather, theme directs the words in order to come up with a finished product with specific meaning at a deeper level.

Let’s look at theme from the big picture to the more detailed aspects. First is your theme as a writer. Why do you write? What do you hope to accomplish – and how are you different from the thousands of other writers out there? If you’ve never written a mission statement for yourself, this is a great exercise. The answers to these questions can keep you focused and motivated. A bonus for taking a few minutes, hours, or weeks to analyze your purpose is that you may come up with a brand, a concise statement of why you are unique and what you have to offer your readers. If you’d like to take more time to contemplate your calling as a writer, Lent is a perfect time for reflection. Use it!

On to story. What are you writing about? Not the plot – what happens – but the deeper meaning? This is the place for clichés. Not in the writing, but in your mind. Clichés tend toward the universal, and that’s what you’re after here. Identify the most resonant concept underpinning your story. Love conquers all… People and relationships are more important than one-upping the Joneses… Revenge, or mercy? Man against nature/beast (human or otherwise)/impossible odds, etc. Once you nail it down, make sure that the theme drives every scene in the story. Don’t beat the reader over the head with it—theme is best conveyed through subtlety—but your awareness will influence the words as they pour forth. Theme will provide conflict and growth throughout the book, even if each scene doesn’t have an overt thematic question.

One caveat about theme (a very large one), as it relates to story: Do not use theme to further your agenda. Readers will pick up on it and put your book down. Let the characters struggle with the issues in a natural, organic way; don’t have them act out a morality tale. Ellen Gable Hrkach alludes to this aspect of theme in her post on Feb. 13, 2012, Improve the Odds for Self-Publishing Success. Her first book, Emily’s Hope, enjoyed modest sales to a narrow audience. Please note, there is nothing wrong with this; if your mission is to be the voice for an issue, or you write without regard to readership or sales, that is your prerogative. Ellen stated, in writing that particular book, if her words touched one person, she would have achieved her goal. She clearly succeeded. But Ellen then wished to engage a larger audience. What did she do? She chose to widen the scope of theme in subsequent books – which are selling more briskly. So the idea of theme circles back to one’s theme as writer, which will inform your choices of theme in specific works.

Which leads us to the third level of theme. Characters. Each character should have a core belief or value that can be summed up in a short phrase. Duty first… Me first… Life is an adventure! Life is dangerous… Again, clichés rule here. What is most important to each individual character, i.e., what will they fight to the death for? The flip side is critical, too. What conflict will the character walk away from, and why? Once you understand your characters, keep that core belief in mind as you write. Your characters will stay true to themselves and their motivations, making for a book that readers will remember long after they’ve finished it. A bonus at this level: Your character’s theme is always a two-edged sword. Use it. Create conflict with it – and then find a way for the character to grow. By the end of the book, their theme may have changed; at the very least, they will live it in a deeper manner, and the reader will love them (and you) for it.

Do you consciously use theme in your writing? If so, how? Or, as you look back on your work, can you see theme at any of the three levels we’ve examined?

About Leslie Lynch

Leslie Lynch writes women's fiction, giving voice to characters who struggle to find healing for their brokenness – and discover unconventional solutions to life’s unexpected twists. She is an occasional contributor to the Archdiocese of Indianapolis’s weekly paper, The Criterion. She can be found at www.leslielynch.com and is on facebook and Twitter@Leslie_Lynch_
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9 Responses to What’s it all about? How Theme can help your story shine.

  1. Leslie Lynch says:

    Good morning! I’m looking forward to our dialogue on Theme today!

  2. Leslie, this was very helpful! I find in my fiction that if I just write out the first draft, by the end a theme begins to emerge. Then I can go back in the revisions and see how to strengthen the story by bumping up the conflict and plot along the lines of the themes I’ve identified.

  3. And a second comment, unrelated to the first:

    My kids (homeschooled) don’t naturally understand theme, anymore than I did at their age. I find it helpful to toss out some fake themes. I might say, for example, “One of the themes of Lord of the Rings is that in the end evil always wins, so you might as well just do what you feel like, right?”

    They immediately know that no, that is NOT the theme. Then it becomes easier for them to articulate what the real theme might be.

  4. Leslie Lynch says:

    Jen, great points! Like you, sometimes I’m not entirely sure what the theme of my story is going to be, but just like characters, it (and they) reveal themselves to me as I go. It’s also easier to know where the story is going, once you’ve identified its theme.

    Of course, all stories have sub-themes, too, and that might be part of what your kids are picking up on. I love your technique of opposites – and that might help writers determine the theme of their story, too!

    Thanks for stopping by!

  5. It’s a great topic, Leslie. I think one reason kids (and adults) have a hard time with theme is because it is “invisible”. A lot like real life — our actions add up to a message, regardless of what we do and don’t say.

  6. Caroline says:

    Hi, Leslie,
    What a wonderful topic! I don’t believe I really have or know my theme until I’m about three quarters of the way though my mss. Once it begins to grow, I go back and strengthen different aspects of my story.

    Love the opposites example from Jennifer!

  7. Leslie Lynch says:

    Hi, Caroline! Based on these comments, it seems many of us must ferret out the theme of our work as we create the story – and for me, that’s part of the FUN of writing. :-) Although, having a general idea helps keep things headed in a somewhat focused direction as one goes. For me, the theme of my first manuscript was forgiveness on several levels, the second was restorative justice, and a combination of forgiveness and prejudice is the theme of my current wip. But I’m sure more, especially sub-themes, will become clear as I continue writing.

    Jen, I like that you’ve gone back to the idea of our lives and how we live out a ‘theme’ with our daily choices, whether we are aware of them or not. This comes back to the question of our theme as writers, as well as the bigger question of who and what we are. There are so many aspects of theme that we can look at…

    Thanks, Jen and Caroline, for stopping by!

  8. Hello Leslie…thanks for the link! I usually have an idea of the theme as I’m outlining my novels, although I agree that sometimes theme (and characters) evolve throughout the writing process. Great post!

  9. Leslie Lynch says:

    Hi, Ellen! Thanks for allowing me to use your experiences as an illustration! Glad you stopped by – and it’s interesting to see so many of us approaching our craft in similar ways.