The End: Sweet Words for an Author, Sweet Experience for a Reader

The EndThe end.

Two of the most satisfying words a writer can tap onto a keyboard.

We’ve all dreamed of typing those six letters, and many of us have been fortunate enough to have achieved that particular success.

In my past few posts, we’ve discussed beginnings and middles. Let’s talk about endings today.

How do you craft an ending that works? You know what I mean: the ending that satisfies in a way that nothing else can. The good guys win, the couple (finally!) gets together for their happy ever after, the world is saved from certain disaster.

Yet I suspect many of us know when an ending doesn’t work. Have you ever read a book where the story had you in its grip—and then it fell flat and limped to the last page? I have. It feels like the author suddenly lost interest. Perhaps they were on a deadline and just typed a bunch of words to fulfill a contract. Or maybe they really didn’t know how the book ended, so they just threw some words on the page and hoped they would do. And that the reader wouldn’t notice.

Alternatively, I’ve read books where The End happened ten or fifteen pages before the printed pages did. It’s disconcerting to be engaged in the story, come across that emotionally satisfying ahhh that is the indisputable end…but then things keep happening and the characters keep talking, and as a reader, you’ve lost interest.

To avoid a bad ending, go back to the beginning. Is your theme still clear? Will the ending make that theme shine (even though it’s likely not stated outright)? What is the question posed at the beginning of the book? There may be an overall question, along with individual questions for each of the main characters. Are those questions answered in the last chapter?  What about the middle? Does all that suspense and tension you’ve nurtured through the book come to a climax that is addressed in the final scene(s)? If you’ve been paying attention to these elements of craft, you’ve set yourself up for a good, satisfying end.

Pacing is another issue. Keep the tension strong; don’t dilute it with throwaway words or scenes. When the end is reached, end the story; don’t belabor it.

Make sure all loose ends are tied up. This is a great task for critique partners and/or beta readers. Whatever did happen to Uncle Bert after everyone else hared off after the bad guys and left him chained to the gushing water pipe in the basement? Or Sally rescued the lost kitten in chapter two, but the kitten was never mentioned again. What happened to it??? You can bet your readers will ask these questions!

Whatever you do, please, please avoid the temptation to use a plot ploy at the end. No hand of God reaching down to set all aright, or aliens/knights in shining armor/Navy Seals (that haven’t been part of the book until now) suddenly appearing out of nowhere to solve all the problems. Or a minor character who inexplicably becomes the linchpin upon which the premise of the entire book now rests. I have read books that ended this way, and they were disappointing, to say the least. Keep your characters true to their motivations and your plot logical. That makes for authenticity, and happy readers.

The ending should have a twist that no one saw coming. No one likes to read clichés, whether within the book or at the end. Do your best to give the reader a wonderful surprise, one that delights or challenges. Don’t be afraid to brainstorm different endings; too often we pick the first idea that pops into our head. The best idea may be the fifth or eighth. Have fun with this. Readers will enjoy the result.

What about epilogues? They seem to be more effective and better received than prologues. An epilogue can be a wonderful way to tie up remaining loose ends (especially in an action-packed story). It can even set the scene for the next book, if you are writing a series. But keep it short. No more than two pages. Make it count; otherwise, it’s best to leave it out.

You want your readers to be satisfied so they will write nice reviews on Amazon and Goodreads. You want them to tell their friends about the great book they just finished. You also want them to like the end so much they’ll come back for your next book. And the next one.

So give them an ending that carries an emotional punch, the one they hope for. Your reader has invested money and, more important, their time. Make it worthwhile.

What have you learned about writing endings? Any tips to share? I’d love to hear them!

From the President’s Desk – March 28

ASG mini
I’m going to avoid talking about the lengthy, brutal winter that most of us are still experiencing to tell you about my new book, A Subtle Grace. It’s the sequel to my second novel, In Name Only, and continues the story of the wealthy and unconventional O’Donovan Family in the year 1896. At 19, Kathleen (oldest daughter) is unmarried with no prospects. Fearing the lonely fate of an old maid, her impatience leads to an infatuation with the first man who shows interest. The suave, handsome son of the local police chief seems a perfect match. But will her impulsive manner prevent her from recognizing her true beloved? A disturbing turn of events brings a dark shadow that threatens the life-long happiness she desires. Dr. Luke Peterson (the family’s new physician) also makes quite an impression on Kathleen. His affection for her leads him to startling revelations: about Kathleen, about his practice and, most importantly, about himself. Will (oldest son) believes God may be calling him to a religious vocation. Eventually, he discovers the hidden circumstances of his humble beginnings compelling him to embark on a pilgrimage to Rome.

(Although “A Subtle Grace” is a sequel, it can be read as a stand alone book.) It’s now available on Kindle and in print.

In other Guild news, the Catholic Writers Online Conference took place a few weeks ago and was a great success. If you missed any of the talks, most of them are available via transcripts at the conference website. I found the talks edifying, inspiring and helpful. Special thanks to Laura Lowder and Karina Fabian who organized the conference, and to all the moderators and transcribers!!

Volunteers needed!! If you have spare time and would like to help out with any of our committees, please leave a comment below or email me privately. We especially need a Public Relations volunteer and at least one additional person to help out with our Seal of Approval Committee.

If you’re a member of the Guild and on Facebook, please let us know so we can add you to our exclusive members only Facebook group! As always, if you have any questions, comments or concerns, please feel free to email me: president (at) catholicwritersguild.com

Ellen Gable Hrkach
President, Catholic Writers Guild

Books, and Toned Middles

belly dancers for CWG croppedLast month, I talked about beginnings and how important they are to drawing the reader in to your book. It seems appropriate to continue on to story middles today.

Middles ought to be pretty simple. After all, it’s the stuff that happens between the beginning and the end. Many authors, however, struggle with middles. There’s a term for middles that lose their direction and energy: the dreaded Sagging Middle.

How do we keep our middles on task, doing the unsung but necessary work of getting the reader to the end of the story? How do we keep the energy high? Most important, how do we keep the reader engaged?

It’s best to step back and look at the big picture first. What is the underlying theme of your story? Is it clear and evident in every scene, though it’s likely never stated outright? Theme should be the basis for every action that takes place, every decision a character makes, and even descriptions of setting. Every word you use can and should further the development of the theme you’ve chosen. For more on THEME, click here.

Next, what about story structure? If you’ve built even a rudimentary five-sentence outline of turning points for a particular story, it is much easier to keep the individual scenes pointed in the right direction. No ambling about aimlessly in the rose garden and boring the readers—unless, of course, the rose garden is critical to both the theme and structure of this story! In that case, amble all you want, as long as there is purpose. For more on STRUCTURE, click here.

Now we get down to the nitty-gritty. Each scene in a story must have tension. This is sometimes referred to as conflict, and always results in suspense. Suspense isn’t defined as horror movie scary stuff; it’s simply a reader asking the question “What happens next” and turning the page to find out.

This is the key to toning up the middle of your book: Every scene and each chapter must have higher and higher stakes for the main characters. Each character has more to lose as the story progresses, and each character is forced into increasingly difficult choices. As situations evolve, and as the characters slog their way through their troubles, they reveal their increasingly deeper secrets to the reader. The characters struggle, and they grow. The reader identifies in some way, roots for them, and is willing to be swept along. For more on ROOTING FACTORS, click here.

One caution: Watch for filler, and ruthlessly cut it. It’s easy to rationalize that since this is the middle of the book, the reader is already caught up in it and won’t put it down, so you don’t have to work quite as hard, and nobody will notice that this whole scene/chapter doesn’t really advance the story; it’s just there because you, the author, like it. Nope. Readers are smart. Cut the scene if it doesn’t advance the story. Cut the details if they don’t advance the story. I know. It’s hard. If it’s too hard, create a file for deleted scenes and put the cuts there so they’re accessible if you want them later. I find that’s sometimes a necessary intermediate step, even though those end up fully deleted later. Human nature is pretty funny!

Once you approach the end of the book (or even at the end of chapters!), resist the urge to tie up loose ends too soon. I admit to that failing as a new author. My first attempts at chapters all had tidy endings. Wrong, wrong, wrong! Every chapter should end with an unanswered question. Analyze your favorite I-couldn’t-put-it-down book. What created that quality? I’m willing to bet it was ever more crucial unanswered questions, and lots of loose ends. For more on TENSION, click here, and for more on HOOKS, click here.

What tips do you have to share regarding middles? I’d love to hear a new take on the subject!

From the President’s Desk – February 28, 2014

Image from iStock

Image from iStock

You don’t have to live in Canada to have experienced a brutal winter this year with record breaking amounts of snow and bitterly cold temperatures across the North, Midwest, South and East. Some experts say that it’s the result of the Polar Vortex. Whatever it is, I am sure of one thing: I’m ready for spring.

I’m also ready for the Catholic Writers Conference Online which will take place from March 10th to 21st. If you’ve already registered, great! If not, registration is now closed (and hopefully you can join in the fun next year). Take a look at the schedule here.

In other news…are you a self-published author? If so, have you ever heard of The Independent Author Network? I belong to IAN. They are a great resource as well as a good marketing tool for the independently published author. Starting on March 1st, they will be offering a special yearly rate, 20% discounted from their normal rate. If you’re interested, email me at fullquiverpublishing(at)gmail.com and I will give you more details (as well as a coupon code for the discount).

Have you written or contributed to at least one book? If so, your book is probably on Goodreads. Goodreads is an excellent marketing tool for both self-published and traditionally published authors. To learn more about the Goodreads Author Program, click here.

Volunteers needed! We have two positions currently open that need volunteers.

First, Sarah Reinhard, SoA Chairperson, has asked for one additional volunteer for the Seal of Approval committee (Evaluation Coordinator) whose duties are as follows:

1.Recruit evaluators by sharing the link to the Google Form
2.Follow-up to make sure evaluators have received books, are reading
3.Log denial points from submitted evaluations on current quarter’s Decline Notes document
4.Bring concerns and needs to Chair’s attention as needed

Second, the CWG blog needs a Virtual Book Tour (VBT) Coordinator, duties as follows:
1.Communicate with CWG members regarding new books and hosting them for VBT
2.Copy and paste the information for the VBT into a blog post (making sure that the books are appropriate for the blog) Note: VBT Books do NOT have to have the Seal of Approval
3.Schedule posts

If you feel called to do either of these two positions, please email me: president(at)catholicwritersguild.com

Last, but not least, my fifth book, A Subtle Grace, will be coming out on Kindle March 22nd and in paperback on April 6th. I recently received a proof copy. After years of work, it’s always very satisfying for me to hold the finished product in my hands. Special thanks to my husband for taking this cool photo of all my books (this represents ten years worth of writing, polishing, editing and nearly 500,000 words!)

photo copyright James Hrkach

photo copyright James Hrkach

As always, if you have any questions or concerns, please contact me: president(at)catholicwritersguild.com

Ellen Gable Hrkach
President, Catholic Writers Guild